000			02196nab a2200277 a 4500
005			20210219162354.0
008			991125s1985 mx 000 0 spa u
035			_aUPN01000202866
049			_aART
100	1		_aZatorre, Robert J
100	1		_aSalimpoor Valorie N
100	1		_urobert.zatorre@mcgill.ca
222		0	_aLUDUS VITALIS : REVISTA DE FILOSOFIA DE LAS CIENCIAS DE LA VIDA
245	0	0	_aDe la percepción al placer : _bla música y sus sustratos neuronales
260			_aMéxico
300			_a293-317
362	0		_a2013 Volumen 21, número 40
520			_aMusic has existed in human societies since prehistory, perhaps because it allows expression and regulation of emotion and evokes pleasure. In this review, we present findings from cognitive neuroscience that bear on the question of how we get from perception of sound patterns to pleasurable responses. First, we identify some of the auditory cortical circuits that are responsible for encoding and storing tonal patterns and discuss evidence that cortical loops between auditory and frontal cortices are important for maintaining musical information in working memory and for the recog­nition of structural regularities in musical patterns, which then lead to expectancies. Second, we review evidence concerning the mesolimbic striatal system and its involve­ment in reward, motivation, and pleasure in other domains. Recent data indicate that this dopaminergic system mediates pleasure associated with music; specifically, reward value for music can be coded by activity levels in the nucleus accumbens, whose functional connectivity with auditory and frontal areas increases as a function of increas­ing musical reward. We propose that pleasure in music arises from interactions between cortical loops that enable predictions and expectancies to emerge from sound patterns and subcortical systems responsible for reward and valuation
653	0		_aMUSICA
653	0		_aCOGNICION MUSICAL
653	0		_aIMAGINERIA MUSICAL
700	1		_aGonzález, Lucía,
700	1		_etraductor
856	4		_uhttp://www.centrolombardo.edu.mx/wp-content/uploads/2014/10/40-15_zatorre_salimpoor.pdf
905			_aArticulo
999			_c174967 _d174967